UPCOMING EXHIBITIONS |
February 2012
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Image: Mark Florian, Pilgrims LXXVIII, 2011, archival pigment print, 38 x 68 inches
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Exposure Festival Skew Gallery is pleased to present the solo exhibition of Gathering Places by Mark Florian and Werewolf Chronicles by Ted Heibert as part of the 2012 Exposure Festival. Gatherings
February 9 - March , 2012 Opening Reception: 6pm - 8pm, Feb. 9th artist in attendance
Born in 1960 in Moravia Czechoslovakia to a family of musicians, where by the age of ten he began playing the pipe organ, and devoted himself to choral singing with a particular interest in Renaissance Polyphony. Florian was introduced to the world of photography through the discovery of Josef Sudek’s work and promptly purchased his first camera at age 12. By age 15 he mounted his first solo exhibition in Jesnik, Czechoslovakia, a documentary series on the lives of Gypsies. He has continued to exhibit and make new work in response to his extensive travels to the Middle and Far East, Europe, Africa and most recent to Mexico and the Nevada Black Rock desert for Burning Man. Mark Florian has been the recipient of a Canada Council for the Arts visual arts project grant, and his work can be found in several corporate collections in Canada. The influence of his musical and spiritual upbringing are apparent in Florian’s art today, utilizing images like musical notes Florian is both the composer and conductor in presenting magnificent visual scenes that deliver a depth and complexity in the same way a piece of chamber music is written for two or more solo parts.
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Image: Ted Hiebert, Blacklight Chronicles: wolfskin self-portrait 2010, 60 x 30 inches, digital print
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Exposure Festival Ted Heibert Werewolf Stories
February 9 - March , 2012 Opening Reception: 6pm - 8pm, Feb. 9th
This exhibition features medium- and large-scale photographs that document the performative nature of Heibert’s artistic practice. Hiebert becomes the central subject of his photographs, by combining movement with a found wolf pelt, exploring the belief held by some cultures that if a photograph can steal one’s soul, can a photograph also imbue a soul?
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March 2012 | |||
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Laura Millard: Meltwater
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May 2012 | |||
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Laurel Smith : New Work
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June 2012 | |||
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Wil Murray: New Work
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